Peer-reviewed publications
“Anachronism and Anti-Conquest: On Chamisso's Shadow,” in Angela McRobbie (ed.) Ulrike Ottinger: Film, Art, and the Ethnographic Imagination (London: Intellect Books, 2024).
“Temporal Displacement in Ulrike Ottinger’s Films.” The Germanic Review 97, no. 4 “Queer Time and Contemporary German Cinema” (November 2022): 310-323.
“Seven-Figure Settlements and Paid Days Off: An Interview with Devin Kenny.” In Delinda Collier and Robyn Farrell (eds.) Perspectives on In/stability (Chicago: Art Institute of Chicago, 2022).
General-audience publications
“'Who Doesn't Want to be Free?': Thomas Love on Counterpublic 2023, St. Louis, MO” Texte zur Kunst 131 (September 2023), Print.
“Space as Suspension in Time: Thomas Love on Rindon Johnson at GUTS, Berlin,” Texte zur Kunst (February 24, 2023), online.
“Anonymous Pipes.” In Markus Saile, Separate|Related. Berlin: Distanz Verlag; Aachen: Neue Aachener Kunstverein, 2021.
“Emo Artifice as an Archive of Feelings.” Art in America (October 17, 2019), online.
